Saturday, 1 May 2010

A blog about Poetry

The cat long since departed from my feet and, my god daughter not yet awake in the house next door, silence fills my home – disturbed only by the tapping of my fingers on the keys of a laptop balanced precariously on the dictionary I keep beside the bed (how else to quiet the lexical koans that intrude at 3 in the morning?). Beside me, from an assortment of books, poems stare lifelessly up at the ceiling or, if the spine not yet broken by impatient hand, gasp for breath, face down into the bedclothes. Words start their unsteady journey from my tangled thoughts across the screen that replaces “Dickensian” candle and quill.

I pause and, turning note scribbled pages (“merde”!) of Keats, dip once more into a poem of my youth:

“And Madeline asleep in lap of legends old.”

It is of course impossible for a girl to sleep in the lap of a legend ... or so we like to think! But there she lies and has always lain, a pre-Raphaelite, gorgeous goddess, adored for ever in alexandrine order.

Order? But surely has not poetry always been the means of escaping the “order” of the disordered world into which I have found myself? Order requires rules, regulations, religion, templates and obedience. Order requires clothes, buildings, streets, employment. Order requires, seconds, minutes, hours, days, weeks, and years - a lifetime of routine. And yet I seek a place into which I can flee and indulge in the loveliness, weep in awe of the depth of peace and spirituality, or silently cry at the high emotion or gut wrenching ghastliness of this – yes, ordered too, world.

Poetry also requires order and in it is to be found the ordered (metrical) art of all seasons, the ordered (rhythmic) craft of all races, people of all shapes, sexualities, colours, sizes and in its ordered substance, Poetry fashions and tempers through an often eloquent rhyme, a sword of thought, of spirit and truth with which to, at times and with mathematical precision, cut down the disorder of our minds and the world around us.

“Freedom, Freedom, Prison of the free!” – wails Lawrence Durrell. He could have been describing Poetry.

Blank or free verse mostly holds little for me: in its particular disorder are to be often found the un-fettered and, un-resolved, doodling of an undisciplined artist. The voice is noise rather than music and the thoughts as a consequence little more than the tenuously connected words often seen in a power-point Mind Map.

In the brevity and complexity of a haiku, the ordered repetition of a villanelle, or the questionable humour of a clerihew, rules and order dictate the form through which the poet skilfully crafts thoughts, observations, feelings and stories from words.

Ah, there’s the rub of it: words!

What would poetry be without words? Words, language, communication. The screen scribbles a green line underneath that last sentence. Intrigued, I press the computer’s Help key and the anonymous sage within Microsoft advises me: “Fragment. If the marked words are an incomplete thought, consider developing this thought into a complete sentence by adding a subject or verb or combining this text with another sentence.” He (the author has to be male, surely?) then provides the following examples: “Instead of ‘Meteors the entire night’ consider ‘We watched meteors the entire night’."

Indeed! In that fragment on meteors are the music, evocation and poetry of the universe; in that sentence, a rather dull evening spent in the company of a group of cardigans watching planets.

And so, having offended my (genuinely) very dearest friends through whose binoculars and telescopes I have gratefully watched, in absolute awe, the differently configured constellations of the Aborigines in the Australian Outback, and those of the ancient Greeks in clear skies over Palm Springs, my fingers return to the keyboard as this blog seeks conclusion. “Madeline” next door wails the new day to life, the cat returns from his dawn patrol, stares critically at the books strewn where he had lain earlier and with a deep sigh, curls up and closes his eyes. The day has begun . . .

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